The almond-shaped amygdala, and the brainy walnut

Taste: the surprising sweetness, the slight bitterness of walnut meat and oil
Touch: the smooth slightly slick from oil wrinkled surface of the walnut and the way it translates to the tongue, bites of it are both hard and soft
Smell: soft nut: walnut
Sight: the brain shape of the walnut; a small table shakes with the vibration of the printer on top of it as it releases pages it stumbles forward brass handle first like a small steampunk robot
Sound: mewling, the very first sound a human makes a strained cry of helpless distress; dislocation of sound the frightening sensation of not being able to locate a sound, scary and disorienting no matter what the sound is a familiar voice or an echo, sounds unidentifiable at first coming from outside
Extra: the more things move and speak the more apt we are to name them and try to engage in conversation; in ancient times everyone believed objects were imbued with life

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Thoughts on "Depression Hates a Moving Target": What I Mean by Relatable

Relatable — I used this word in my reviews of Depression Hates a Moving Target by Nita Sweeney on Goodreads and Amazon . It's a nice word, but overused of late. So, it feels lazy. What do I mean? I connected with this book. It made me reflect more on my own first marathon experience. It made me want to put on my running shoes and head out the door again. In fact, I did. Now, typically, my mental health doesn't hinder my ability to do the stuff I want to do and my body flies under the radar. Still, I also felt goofy stepping out in my running gear a lot of the time. I didn't see myself as a "runner" or an athlete. And, I had no idea if I could run 13 miles let alone 26.2 when I started. More to the point, could I stay moving for the 4+ hours straight it would take to complete the marathon? To do the training mileage, I knew I'd have to run through streets and trails on my own and that made me nervous, too. Waves of grief wash us to strange shores. Whe...

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Springy story review: "State Change" by Ken Liu

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Shel Graves' Sensorium

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